Russell Brooks is the author of the action/thriller, THE DEMETER CODE, available everywhere online. Visit www.russellparkway.com for details.
Saturday, December 20, 2014
Friday, November 21, 2014
I need your help.
The CBC is looking for books for Canada Reads 2015. This is a program that's meant to promote Canadian authors, like myself. I would appreciate your nomination as this would be an opportunity for me at getting THE DEMETER CODE thrown into the Canadian spotlight.
Submitting is easy, as it cold be done via Twitter, Facebook, Instagram or email.
To make things easy, here are ways you can submit THE DEMETER CODE:
1. Copy and paste the following as a TWEET:
THE DEMETER CODE by @NoOtherRussell
2. Copy and paste the following in an email to the CBC at: CBCbooks@cbc.ca.
I'd like to nominate THE DEMETER CODE by Russell Brooks for Canada Reads 2015 http://ow.ly/i/7FbFp
3. If you love Facebook or Instagram, you can either take a Selfie holding my book, or download the book cover pic and then upload it. It's important not to forget the hashtag: #CanadaReads.
The deadline for the public call-out is Nov. 30 at 11:59 p.m. ET.
Please spread the word and thanks again for your support.
Wednesday, November 19, 2014
Tuesday, November 18, 2014
I stumbled across Nortina Mariella's essay a few days ago. After having read it three times I have every reason to believe that the author doesn't understand how the publishing industry works. She has the impression that the so-called THUG/HOOD/STREET LIT is the only kind of books that contemporary African-American authors are writing. The truth is that the reason why she saw these books on book shelves in the African American section was because the companies that publish those books pay stores to place them in those sections.
While I was on my way to publishing my first novel, I had a chance to converse with Jerry Simmons, the former VP of Time-Warner Books. He explained to me that a publisher's client is a bookstore, and not the consumer. When you walk into a Barnes and Noble or any other bookstore and you see a book pyramid, or your favorite book in a particular spot, it's because the publisher paid the bookstore for those areas.
One must think of shelf and floor space like real-estate. The more visible the location, the more expensive it'll cost the publisher. The author of this article falsely accused African-American authors of only writing this kind of literature. A reason why she may not have seen other kind of books written by AA authors in the AA section was because their publishers may not expect to make any profits in those neighborhoods. By the same token, it just further demonstrates how publishers have a lot of control over what consumers can access.
Rather than accuse Black authors of not writing the books that she wants to read, she could have easily gone online and researched the ones she wanted. She then had the option of either ordering it online, or going to a real bookstore or placing a special order.
If she were shopping for books up here in Montreal, most of these Street Lit titles she wrote about wouldn't necessarily be the only books found in the AA section. Almost six years ago when I discovered Eric, I searched for his books in the front among the Bestsellers. I was told that I could find his books in the AA section--in the BACK of the store. Riddle me this. Why is it that a Black NYT bestselling author is placed in a less visible location at the BACK of the bookstore rather than at the front among other White NYT bestselling authors? And this was 2008 Montreal, Quebec, not 1950 Selma, Alabama--if you catch my drift. And here's the best part, an acquaintance of mine attended Eric's book signing when he came to town. According to her, the audience was predominantly White. You'll never see Alex Cross in the AA section, even though the series has a strong AA platform.
I didn't feel comfortable with that book placement so I didn't give the store my money--but keep in mind that I didn't know how the publishing industry worked until later. I went to my public library where there are only two sections--A Children's and an Adult section--with a subdivisions for French and English books. I found all of Eric's books under D in the adult section, where they are up to this day, just a few rows away from mine.
Sunday, November 2, 2014
Sunday, October 19, 2014
Friday, October 17, 2014
Based on what I've found, she has an impressive resume. She's previously written for The Chicago Tribune, The New Republic, Good Housekeeping, and TV Guide. She's also written an advice column in Slate, Yahoo News, and the Globe. Her advice column, Dear Prudence, was also featured on National Public Radio.
For someone who was born in 1940 and who's had articles in syndication long before I wore my first diaper, I'm quite surprised that she's so naive—if not just downright ignorant—on how the pre-publication process works. In order for a book to be effectively marketed, pre-publication publicity is essential. Giving review copies to professional reviewers and to book bloggers before a book is released is one such common practice. However, Howard appears to only put Amazon's Vine program in her crosshairs. Rather than embrace the fact that not everyone's going to like her book, she's taken this "How Dare You!" childish response. Are we to assume that Howard has joined the likes of James Patterson and other traditionally-published authors and author's groups in their frivolous crusade against Amazon? I couldn't help but wonder this because it didn't take me too long to find a review of her latest book, "Eat, Drink, & Remarry" that was recently published in the Boston Globe. What was interesting was that even this reviewer appeared to hate her book. One phrase actually stood out, "The only child of Eppie Lederer, a.k.a. Ann Landers, and Budget Rent a Car cofounder Julius Lederer, Howard grew up with such a mouthful of silver spoons, it’s a wonder she learned to talk."
I doubt very much that Ms Howard will spend the remaining years of her life bitching about every bad review she gets. Trust me, she'll get many more. However, she's bound to also get a few good ones.
If Howard wanted to attack Amazon, a more valid criticism would've been for her to write about Vine's methods for matching products with particular reviewers. I've learned that the majority of people who don't like a book are those who aren't fans of the genre. For example, giving away a thriller novel to someone who typically reads science fiction won't necessarily yield satisfactory results for either the author or for the reader. Had Howard done this, she may gain more support. Instead, she comes across as a crybaby.